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Tomorrow I turn fifty-one. Better than the alternative, as a chum is wont to say.

This year could turn out interestingly.

As a recap of 'where I am' as our psychologically-minded chums might say, I took time to analyse the changes to my aims and ambitions that the past few years have wrought. The big underlying thing is, of course, that my niche in the music business died some years ago (session guitarist of the second rank, though I was, ahem, climbing, as the word is; and was 'First Call' at Tin Pan Alley Studios, if that means anything to anybody).

I thought that I still might have something to say with the instrument. That at what I was especially good, I could carve myself some small space within which to work, and gather a small audience who might just 'get' what I was doing: rhythmically, harmonically, and melodically. Though until Henry came along this ambition seemed modest, post son-and-heir arriving on the scene, I find that even this is fantastically beyond my ability to achieve. There are some apt lines from Eliot (aren't there always)

Let me disclose the gifts reserved for age
     To set a crown upon your lifetime's effort.
     First, the cold friction of expiring sense
Without enchantment, offering no promise
     But bitter tastelessness of shadow fruit
     As body and soul begin to fall asunder.


You shed things. Things you thought never to let go. I am shedding technique with every passing day spent away from the guitar. When I reach for difficult but once comfortably achievable things, I approximate rather than nail them. Things fall apart without the constant discipline of practice. Entropy devours the fine honed sense, and eventually when we have sloughed off all of our hard learned abilities we shall resemble amoeba inchoate in response and understanding. I suppose this is why Dylan Thomas urged his father in particular, and the rest of us in general, to rage against the dying of the light.

But for me, I just want to nurture The Boy (and any other potential offspring) and to assist him in attempting to go one better than his old man, in whatever field of Henry's pleasure. But this means I must recognise that I have lost my personal and artistic ambitions. And I wonder is this a function or consequence of older fatherhood?

It's all selfish genes and all that, of course, dammit: almost resembles that there Determinism. Bah.


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Yesterday I was asked (at the last minute) to the 'Private Eye' supper in the Coach and Horses. I was also asked backstage at Bon Jovi's O2 gig to help sell an extremely rare and vintage guitar to Richie Sambora (whom I've never met).

So obviously I went home to spend the evening with Madame.

Given that I no longer dare to eat the peach, as it were, I feel I should be more discontented with my lot than I am.
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Well, I got my No.1 Strat back.
The re-fretting is of a very high standard. Céline also cut a new bone nut for it. A1 in all respects.
I shredded until my fingers hurt.
Luthier's Corner* are very good indeed, and Céline and Dave are great luthiers.

My bank account is somewhat overstretched now. Thank the fates for the voice-over work. Godchildrens' birthdays coming up on Friday and also the 15th June. Earrings for Philippa and the Oxford Companion to the Classical World for Jacqueline. Jacqueline's easier to buy for, clever little swot she is. Next year she will get Lewis and Short....unless I hear she needs it sooner. Philippa is two years older and a teenager: much more difficult to anticipate requirements for presents. Thankfully She-Who-Must-Be-Obeyed will come to help choose the earrings at lunchtime on Friday. Guys don't really know about this sort of stuff: and though I've had hair of every different colour available, I have no piercings and no taste in choosing such body adornments. (My scars are all testimony to my stupidity, alas, rather than any attempt to prettify my countenance: not that such attempts would be anything other than fruitless.)

Must try to find the money for my Council Tax too. Bugger. Time to whore myself out again. I should have a placard: "will play guitar for money - no matter how awful the song/part/guitar line". I should have a set of rates that go from extremely high for boring stuff, to expenses only for the stuff I actually like. Actually, that modus operandi is what has gotten me into this mess. Blast.

Madame continues in grace and light, and continues to bestow such qualities upon those around her. Despite being slightly pinched in the old wallet, I really am blessed. And I am aware of it too.

Go well and do good things.

*Luthier's Corner
Dave King and Céline Camerlynck.
21 Denmark Street, London, WC2H 8NA
020 7836 0816


 
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Saw the remodelled TPA in all its glory today. Impressive.

The day of the judgement in his divorce, Sir Paul popped in for a session. So straight from the court to TPA.... Mark Ronson was also in with a few of his famous chums and was presented to Macca, if that's the way of describing the etiquette of the thing.
Steve K is a coming man....and TPA Studios are going to do well, I reckon.

Found a new luthier. Her name is Celine Camerlynck and she works out of Luthier's Corner, 3rd floor 21 Denmark Street WC2H 8NA.
She was recommended by Vintage and Rare Guitars, and I understand why. My no.1 Strat needs a good set up and fret job, and my battered acoustic needs a new bone nut. I have the feeling I'll be sending a bit of work her way. She does appear to really know what she's doing.

On another note (and about another lass, and one interested in me rather than my guitar) I checked on various kinds of art exhibition whilst I was at TPA. I am under instruction: no angels.
Looks like it's the Royal Academy and the Russian collection, which she went so far as to inform me she hadn't seen. Will call her later and suggest that it seems to be the best we can manage at short notice. Wonder if I should book a restaurant?
johnny9fingers: (Default)

So I turned forty-six yesterday.
As far as ordinary days go, yesterday was unremarkable.
Firstly, after the ablutions of the day, and breakfast: I drove to Alan's studio where we had coffee; wonderful sandwiches; and a few spliffs. I played on the James Trussart metal-bodied telecaster that lives in his studio (and I quite covet, actually), and we wittered about Pro-Tools, and whether I can get the right sort of guitar based midi interface to work with Sibelius. 'I gots to get me' a midi guitar or something similar. Perhaps a Roland GK3 pick-up? Any advice gladly accepted. Also, on Ebay, I got beaten out at the last minute for an old Casio midi guitar. Damme: a pox on my impecuniousness.
I left Alan's to time my arrival in town after the congestion charge expired and drove into TPA, finding a place to park outside the studio: the omens appeared very good.
The omens were good for a reason. Steve has plans to expand the business and will be bringing in new investment and a new company structure. He will share the responsibility of the whole enterprise with a new business partner, possibly two, as many folk are clamouring to get on board. At long last he's realising the asset he's been sitting on these past twelve years. I met the (definite) new business partner and her sister. Strewth, hard-headed business folk, but...they understood the 'vibe', the word of mouth recommendations, the position, the whole nine yards. They also seemed to tread softly: far too skilled with people to ever inadvertently ruffle feathers.
This is all good, but it means certain aspects of TPA will change. The musicians that have been in and out of that studio are a kind of community, along with all the other folk on Denmark Street. (It's still the coolest music street in Europe.) The 'Regent Sound Studios' sign remains over the door across the street, but there is no studio there behind the sign: TPA is the last independent studio left in Soho.
I took my old fashioned pedalboard and Blackface Twin home for a bit. While the decorating and remodelling of the interior is happening TPA won't be needing 'em. I also realised I've hardly played through my Marshall all year: this is so wrong. (But even so, I didn't take it home with me.)
Gigging Friday.
Slowly getting on top of my playing and practice. Learning simple bits of Bach is helping no end. A line a day...a line a day.

Today I hope you all have the pleasure of doing something difficult well.

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June 2021

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