johnny9fingers: (Default)
This evening I went to SWMBO offices where there was a talk on Faberge by Geoffrey Munn. Various nobs and important folk were there, and Mr Munn himself was pretty illuminating on the subjects of lapidary stuff and the languages of stones and flowers. We spoke for a bit and I found out that he had known of one of my godfathers, who by chance had also known the Queen Mum (RIP). Nice chap, as it happens, though I hadn't known of him from his appearances on the Antiques Roadshow. I mingled with the various lords and ladies and the odd oligarch or twain, before the wife and I took a cab back to the depths of East Dulwich. Apparently I'm a 'social asset', being rather well connected and prepared to talk to anyone.

And still I'm too damn commie for all of this. Even Mr Munn opined that the massive inequalities of the late Victorian and Edwardian period were the basis of Faberge and Cartier's ability to produce such high-value objects of craft and art, and was content that such times had passed. These days Imperial Faberge Eggs are valued at some £20M and rising: which is some Easter gift. Though I might just covet a Faberge cigarette case to put my spliffs in, I doubt whether either I or Madame could afford such a luxury: and even if I could, I doubt that I'd ever spend quite so much on an item quite so trivial, especially when there are starving children, if not on my doorstep, then not more than a couple of thousand miles away.

Luxuria was originally one of the seven deadly sins. What happened to change this?
johnny9fingers: (Default)

Will get picked up by Nikki and Mark (sax player and bassist) at 5am, that's nine hours. Setting up my No 2 Strat. Trying to get the intonation right. New strings (+1 spare set + spare top and fourth). Bag packed. Hardshell case for the ax. Remember to detune strings to slack for the flight. Euros....Our Leader (Martin, the drummer) has been doing sterling work organising all of this. We don't appreciate him enough. I have to remember that he does all the admin, poor love. We're lucky to have the gigs, apart from the fact that we're damn good given the limited palette of the form: wedding bands are about getting drunk folk dancing their asses off to recognisable tunes. It's all about groove and vibe.

Fifteen years ago I would have spurned ever doing 'covers' of any kind. I'd teach folk how to play songs, but....'covers' was for folk that couldn't write and couldn't compose and couldn't get on with other people enough to collaborate effectively. Not that I'm being snobbish about it now, though I was at the time.

Now, the most superior person I know, about fifteen years ago too (coincidence or what) suggested that I should concentrate on the 'craft' aspect of what I did, which was not to talk of technique, because although not flawless, my technical abilities are.....I'm pretty accomplished, though I'll never make a first-rank classical or flamenco player: but was about repertoire and the craft of learning.

Performing musicians are like actors: vast chunks of information have to be committed to memory to be regurgitated at the appropriate microsecond in the right way.
Sometimes my brain feels full, and I just can't cram that last (probably vital) bit in.....
 

Profile

johnny9fingers: (Default)
johnny9fingers

June 2021

S M T W T F S
  12345
6789 101112
13141516171819
20212223242526
27282930   

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated May. 23rd, 2025 01:32 pm
Powered by Dreamwidth Studios