johnny9fingers: (Default)
So it looks like we're going the full whack bidding on this house we want, some two roads away from us here in leafy East Dulwich. I say leafy because the streets are full of the blighters; Autumnal and golden; sodden in the rain and adhering to cars, pavements, walls, and shoe-soles. Our golden October has extended somewhat: and this part of London has only today turned chill, with small but noticeable bite in the air. Keats' season, or Eliot's season, it is its own thing, but yet also harbinger of winter. And mayhap we move to a bigger house in the New Year.

Plans for Christmas. Somehow to include the Mother.
Seeing the New Year in at Hackness with Fra and Cressy et al.

In the meantime, I had a gig with the 'Wedding Band' on Friday.
Orchardleigh House in Somerset.

I took my new Line 6 Pod X3 Live out for its first live airing. I knew that this was going to be an interesting test because:

1) The nature of the venue (pretty small room) and
2) The set-up requirements (set up between meals) and
3) Costs (cheapo gig, bid because we weren't getting much work when it was booked)

Ergo, we went minus a PA and engineer. Jane had bought an interesting bit of kit: one Bose L1 Model II PA for the vocals and sax. The band had to rely on their backline apart from Martin, the drummer and our leader, who played acoustically, and could still have overwhelmed the backline and PA at any point he chose. Dexterity and taste from the recognised beast in the band (it's in the job description: drummer - ride motorcycle through hotel bedroom window into swimming pool - ask anyone who's ever been in a band) is not expected, but with Martin....well, he's just too damn good to let a cliche overwhelm him, however much fun it may be to do so.  I'm going to start calling him 'The Colonel' though in fact he's much more like a perfect Adjutant: his organisational and motivational skills have kept the Wedding Band in work and getting to and from venues for almost twenty years. It wouldn't work without him, and this stripped-down-system experiment was his call.

Got to say it was a bit good, actually.

Jane's piece of kit worked really well in the small space. We all turned down: I could get decent sounds at listenable volumes with the POD, though without some of the more interesting programming I had done for the GNX3. Such is. Good and usable sounds nevertheless.

My ongoing wrestling with EVH's 'Beat it' solo continued with mixed results.

We sight-read, first time played without rehearsal, 'I've got you under my skin'. Which I should have known; but most published versions are in Fm; Frank S did it in Ebmin, and I'm too occasional a player and arranger these day to transpose easily in my head. As an aside I used to have a guitar in my hands for four-to-six hours a day every day, and kept musical arrangements in my head like I had previously (in another life in a decade or more before) kept bridge hands. These last four or five years have left me rusty beyond embarrassment. And it's not going to change. And I'm not certain how bothered about it all I am anyway.

So some small wins then.

Today we went to the Whisky Exchange and I bought a brace of Ardbeg's Airigh Nam Beist and a single cask they decanted from the barrel into a 40cl bottle for me called 'Ord Mor' ABV 62.5%. I've had this one before last month, and so it must be coming to the end of the barrel. I almost bought a brace of them too, but the three bottles were already hitting my wallet to the tune of £170-(mumble)-odd. I can only drink one of the Beists as the other one is to keep for twenty-one-odd years, give or take however many months.

So, another small win there too.

Scored the tiniest amount of weed for high-days and holidays, but actually feel no need to smoke it regularly.

Blimey, it's wins all round: of expensive kinds, admittedly.

Now comes the biggest test of all: the scan. Fingers crossed. Let's hope our luck is holding....
johnny9fingers: (Default)
So I've been 'getting stuck into' the Pod X3 Live.

The features, configurability, and versatility of the unit are phenomenal, and it is just about possible to get a reasonable sound with much programming and using the X3's 'Dual Tone' feature which puts your original guitar signal through two separate amplifier models and indeed two completely separate signal paths, before linking them both to a single output.

In comparison to my old Digitech GNX3 the amp models sound more accurate, but in some strange way (at least to this subjective analyser) less usable: because although slightly more accurate, they still aren't the real thing and they don't flatter my playing in the way the GNX3 modelling does.

The 'Dual Tone' feature is pretty cool, though the architecture of the output routing means that the blend of tones when outputted into a single amp makes it sound not entirely coherent, inasmuch as one can certainly detect both components of the tone produced. The Gear Box editing on the computer is very cool too.

Sometimes it seems that I can also detect anomalous digital audio artefacts buried in the sounds.

The X3 Live does show up the limitations of my old GNX3, but as of now, neither satisfies. I may just have to go the whole hog and buy the Axe Fx Ultra and dump both the others on ebay. We shall see.

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June 2021

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